Oaxaca, Mexico
Some places refuse to sit still.
Oaxaca, collected in four photographs and three prints. A little movement left in the frame.
Stories worth keeping.
Some are finished stories. Some are questions I’m still living with. All of them belong to the same unfolding record.
Organized enough to find. Loose enough to wander.
Oaxaca, Mexico
My photograph. Someone else’s prompt. Who made the art?
Using an Oaxaca photograph, a prompt found on X, and ChatGPT to ask where creative control lives when AI enters the process.
Mussomeli, Sicily
A friend’s home. A family connection.
Villa Vagabunda: a friend’s home in Mussomeli, olive trees, and a connection to my family’s Sicilian roots.
At the workbench
Can AI replace much of a traditional web agency?
The code is getting easier. Knowing what to build still isn’t.
The notebook
How much is actually enough?
Money, freedom, and the moving target called “financially secure.”
The workshop
Can a small chapter tell a bigger story?
Helping conservation organizations become better marketers without becoming full-time marketers.
The workshop
Claude 5.5, ChatGPT, and the fun of going back and forth.
Two models, two different ways of getting to a good idea, and The Elkaholic as the latest test.
The notebook
You probably don’t need another course. You need to try something.
A note to myself, mostly.
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The workbench
Sometimes a cheap client costs more than an expensive client.
The fee doesn’t tell the whole story.
Anywhere, really
The camera is mostly an excuse to pay attention.
Not everything worth keeping is a great photograph.