
Flowers at street level.
A person wearing a conical hat peers over a large bundle of white flowers on a busy street.
A clearer way into the archive: begin with a place, then follow whatever happened there.
Organized enough to find. Loose enough to wander.Hanoi streets, meals, movement, and a favorite afternoon in Tam Coc.

A person wearing a conical hat peers over a large bundle of white flowers on a busy street.

Several adults and children ride together on a scooter past colorful storefronts.

Johnny smiles in a red shirt and backward cap at a restaurant table in Hanoi, with a bowl in front of him.

A traveler with a backpack stands in front of a large columned stone monument, with other visitors crossing the plaza.

Bowls of rice, vegetables, red chilies and a sauced dish are arranged on a metal table.

This is one of my favorite photographs I’ve taken. This woman was working in the fields in Tam Coc. My friend Jen went over and gave her a little bracelet, and I caught the smile on her face.

A person in a blue shirt and conical hat rides a bicycle away along a gravel path surrounded by greenery.
Color, everyday street life, and a mountain waiting at the end of the road.

Two men wearing white hats sit beside a red-and-white wall, seen through a dark foreground frame.

Pedestrians and a cyclist on a colorful street, with a snow-covered mountain in the distance.

A worker stands high on a ladder against an ochre building while another person waits below.

A quiet street lined with colorful low buildings leads toward a green hill beneath a bright sky.
Photographs, prints, traditions, and the small moments between celebrations.

Oaxaca, collected in four photographs and three prints. A little movement left in the frame.

Straw hats, white shirts, and a drum that won’t hold still.

Ribbons in motion. Sandals on stone.

Outstretched arms, straw hats, and a crowd in motion.

Three figures, a green doorway, and all that red.

Stilt walkers, carved stone, and a very long way down.

Red, black, ochre. A whole scene in motion.

A small adjustment. A quieter piece of the story.

Using an Oaxaca photograph, a prompt found on X, and ChatGPT to ask where creative control lives when AI enters the process.
Oaxaca. Something good, eaten slowly.

Six people in straw hats and colorful neckerchiefs stand together beside a pale stone wall.

People in straw hats celebrate in a crowded street, with outstretched arms and pale haze in the background.
Night signs, reflected light, and the overlapping scenes of a city after dark.

A dark doorway outlined with warm string lights reveals a room glowing green and blue.

A glowing red guitar and Ernest Tubb Record Shop sign hang above a busy street at night.

Bright street signs and warm interior lights overlap in a layered nighttime reflection.
Villa Vagabunda in Mussomeli and a family connection reaching back to Termini Imerese.

Villa Vagabunda: a friend’s home in Mussomeli, olive trees, and a connection to my family’s Sicilian roots.

Helping Jen bring Villa Vagabunda back to life: six days into the work, with a quarter acre of central Sicilian landscape ahead of us.
The hill town that turned into a much longer story.
Home base for client work, new ideas, and many of the projects gathered here.
Long roads, wide skies, and a reason to keep looking out the window.